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You're invited to join us for an in-person talk on the history of the Ibadi Muslims— a minority community in the Maghreb, many of whom emigrated from Djerba, Tunisia, to Cairo, Egypt from the 17th to the 20th centuries. Pr. Paul Love, Associate Professor of North Africa, Middle Eastern, and Islamic History at Al Akhawayn University, Ifrane, Morocco, and the author of The Ottoman Ibadis of Cairo (Cambridge University Press, 2023), will take us on a journey into the lives of the Ibadi Muslims during the Ottoman centuries. 🔍 Key Topics: How did the migration from Djerba to Cairo shape the identity and experiences of Ibadi Muslims in their new cultural landscape? How did this minority community navigate the complex landscapes of Cairo, adapting to cultural, religious, and social nuances within the Ottoman Empire? What economic and cultural contributions did they make, and how did these contributions leave a lasting imprint on the rich tapestry of the city?
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Edward Said's Orientalism is one of the most ground-breaking treatises in post-colonial studies. Since its publication in 1978, this controversial work has had a growing influence on different fields in humanities and social sciences such as colonial theory, feminism, anthropology, history, geography, travel literature, tourism and art. In view of this intellectual context, it could be said that fine arts played a clear and direct role in promoting colonialism. This was particularly evident after the French campaign in Egypt in 1798. British, French, and American military campaigns brought a number of artists who took upon themselves to picture the Eastern peoples in general, and the Arabs in particular as different exotic objects to be tamed and "civilized". There was a fertile ground for accepting such ideas as Western creative arts had already depicted the oriental man as a deviant, heathen and bohemian immersed in sex and pleasures, surrounded by maids and slaves. The last image may has come as a result of "Thousand and One Nights", translated by the French orientalist Antoine Galland in the beginning of the eighteenth century, as it had magical effect on most Western artists and writers. Taking its cues from Orientalist theory of Edward Said, this project deals with oriental themes implied by Western drawings and paintings related to Oman, as a place, people, and culture. From the Portuguese colonization of Oman in 1507 to the late twentieth century, an art discourse on Oman has developed. The goal of this project is to explore the images of Oman developed within the works of Western artists. In their representations, I locate Oman as a place, a people and a culture. Precisely, I am interested in looking at their attitudes, both positive and negative, to every aspect of life in Oman. I also hope to contribute to the literary criticism of Western discourse on the Middle East with a different perspective. Unlike Edward Said and his advocates, who homogenize Western discourse on the Middle East, in my project I propose that Western fine art on Oman is much more heterogeneous, ambiguous and discontinuous. My project argues that these works are neither homogenously biased nor impartial, but imply a mixture of diverse attitudes, depending on many factors such as the artists' background, motive of visit, time of visit, and kind of people encountered. The gap of knowledge that this project undertakes to fill is that most of the Western drawings and paintings related to Oman have not been studied in any context.
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This presentation sheds light on the system of water management and distribution of the aflaj in Oman through the case study of Falaj Al-Khatamein in Birkat Al-Mouz, which has been registered on the UNESCO World Heritage List since 2006. The lecture will start with an introduction to the historical background of the aflaj system. "Aflaj" (plural Falaj) is a gently sloping subterranean tunnel that drains out groundwater and conveys it onto the earth surface and all falaj systems in Oman are divided into three groups; Dawoodi Falaj, Ayni Falaj and Ghaili Falaj in northern Oman, the typology of aflaj, their cultural significance in the Omani society and their connection to different aspects of life in the past. The presenter will also talk about the management of aflaj water and the methods of distributing the water shares of aflaj. He will address various aspects connected to the aflaj system, including the irrigation cycle of falaj in the region/village and the daily division of the falaj water shares. Also the methods and tools for measuring irrigation time will be explained, for which a special sundial (Lamad) is necessary during the daytime and traditional star gazing at nighttime. The last part of the presentation will examine Falaj Al-Khatamein. The presenter will discuss the historical background of this falaj and the Birkat Al Mouz area, and will also explain the reasons behind the selection of this falaj and its management system for this study. Moreover, the social and economic aspects of this falaj and their impacts on society will be discussed, and it will be spelled out how the falaj has contributed to social harmony in the area.
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- Abū ‘l-Yaqẓān, Ibrāhim (1888-1973) (5)
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- Waqf (fondations) -- Mzab (4)
- Waqf (fondations) -- Oman (2)
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- Zanzibar (8)
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