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The article examines the ideological core and technique of the poetic art of the most famous poets of Oman, the state religion of which is Ibadism. An interdisciplinary approach, which included historical review and linguistic methods of analysing original texts, made it possible to identify the content and artistic features of the Ibadites works. A close connection was revealed between the theory and history of Ibadism not only with the themes of the works (religious with a predominance of the motive of exile, repentance, justice and a call to civil action), but also with the forms of their implementation, such as refusal to directly mention the epithets of Allah, certain types of chronotopes, suggestive techniques, the use of the full semantic potential of the word, etc. The authors assert that Ibadite poetry has a political orientation and that civil Arab poetry could reach its heights only in the Ibadite environment. The peculiarities of the Ibadite poetics are traced mainly in the texts of such a prominent figure in the culture of Oman as Abu Muslim al-Bahlani.
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لم یلق الشعر العمانی الدراسة التی تکفی وکذلک الشعراء العمانیون؛ لم تنلهم ید العنایة التی یستحقونها على الرغم من أن معظم شعراء عُمان قد تمیزوا بالأشعار ذات السبک الرصین والجزالة والجمال، والوصول لمستوى متمیز فی محاکاة الشعر العربی القدیم سواء أکان ذلک الشعر مستقلا بکیانه؛ أم کان تقلیدا أو معارضة، ولا سیما فی حقب زمنیة غابت عن الشعر فیها القصائد التی تبلغ الدرجة المتمیزة من البلاغة والصور الشعریة والمستویات الفنیة المطلوبة، وإنما غلبت على الشعر الزخارف اللفظیة والتنمیق المتکئ على الجناس المتکلف والاستعارات الفجة والطباق المبالغ به.
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The article studies the phenomenon of Ibadism as an Islamic movement and state ideology in the Sultanate of Oman. As a theological branch, Ibadism has significantly influenced political development and changed the history of this country. It has contributed towards Oman’s unique path in the global world. Nowadays, non-interference and mediation make the basis of Omani policy. The author focuses on the theoretical pillars of Ibadism and its political background as well as the intellectual heritage of the country. The author uses the example of the activity and life of Abu Muslim al-Bahlani, the outstanding Omani poet, public figure and educator of the end of the XIX and the beginning of the XX century. Abu Muslim al-Bahlani’s legacy and life became a symbol of the implementation of Ibadism. His impact was recognized by UNESCO in 2019. Following interdisciplinary approaches, the author concludes that the principles of Ibadism are reflected in his poetry and have been examined in all spheres of everyday life, including art and culture, a fusion of religion and civil consciousness.
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