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  • The Omani Peninsula is among the richest regions of the Arabian Peninsula in terms of the diversity and chronological range of its rock art scenes. Numerous engravings and carvings are spread throughout the region, many of which remain undocumented due to the ongoing discovery of new sites. These scenes vividly reflect the life of ancient Omani communities in its religious, social, economic, and symbolic dimensions. Among the most significant themes represented in the region’s rock art are scenes of animal riding, where humans are depicted mounted on camels, horses, and donkeys. These images embody multiple meanings related to transportation, travel, hunting, and ceremonial practices, in addition to serving as symbols of power, bravery, and social status. This study aims to analyze scenes of animal riding in the rock art of the Omani Peninsula through a descriptive and analytical approach, seeking to uncover the purposes, functions, and meanings embedded within these depictions. It also explores the symbolic relationship between humans and animals and its role in shaping the visual identity of early Omani society. The significance of this study lies in highlighting rock art as a reliable visual record documenting ancient human life and contributing to the reinterpretation of Oman’s cultural heritage. Furthermore, rock art represents a cultural and touristic resource that can be employed to promote heritage tourism and strengthen national cultural awareness. The research methodology adopts a descriptive–analytical framework, focusing on identifying and interpreting rock art scenes related to animal riding, while comparing their stylistic, thematic, and symbolic dimensions. The study is structured around four main axes: 1) Rock art in the Omani Peninsula: origins, types, and artistic styles; 2) Depictions of camel riding in Omani rock art; 3) Depictions of horse riding and their symbolic and social implications; 4) Artistic and symbolic analysis of animal-riding scenes. The expected outcomes include: 1) Documenting the diverse uses of animals in ancient daily life; 2) Revealing the evolution of artistic and aesthetic awareness among ancient Omanis; 3) Affirming that rock art serves as a living, multidimensional cultural document linking humans with their environment, history, and identity.

Last update: 4/28/26, 8:04 AM (UTC)

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