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Typically, siyar in the Islamic tradition are biographical texts outlining the life and times of individuals, whether scholars or otherwise. Siyar are not known to offer coherent historical narratives, nor are they complete historical chronicles. They are usually compiled in an incremental manner, passing from one generation to another, creating a chain of individuals and/or communities across time and space. Despite their prominence, they have mostly served the historical profession, more or less, as biographical dictionaries. Ibadi siyar in North Africa belong to this same genre and have served a similar purpose. Paul Love’s book uses an innovative methodology in his analysis of siyar that changes the way historians can use and read these texts.
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This article examines the circulation of manuscripts in the Mzab Valley in southern Algeria during the 9th–10th/15th–16th centuries in an attempt to identify the most prominent copyists in the region. The primary aim of the paper is to highlight the importance of manuscripts for the Mzab’s Ibadi Muslim community in this period and to demonstrate its impact on the intellectual and cultural life of the region.
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In collaboration with the Centre for Studies and Research on Ibadism (Ibadica), Slimane Tounsi, President of Ibadica, Ali Mazawi, Coordinator of “The Libraries of Nafusa” project in Libya, and Paul Love, Professor of History and Academic Coordinator of “The Libraries of Nafusa" project, will offer a description of the planning, implementation, and future aims of the pilot project "The Libraries of Nafusa" (2021–2022), which sought to document and to digitize written material heritage in the Jebel Nafusa in Libya. “The Libraries of Nafusa” was a pilot project (2021–2022) to document and to digitize written material culture in the Jebel Nafusa region of Libya. It was led by the Ibadica, Centre for Studies and Research on Ibadism, in France and the Fassato Foundation in Libya, with financial support from the Gerda Henkel Stiftung “Patrimonies” funding program in Germany. The administrative team reflects the international nature of the project, with members based in Algeria, France, Morocco, Tunisia, and the United States.
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The Jerba Libraries Project (JLP) was an initiative carried out between 2019 and 2021 to document and digitize private and public collections of Arabic manuscript and early print collections on the island of Jerba, Tunisia. In this article, we present the project's aims, its achievements, and the obstacles it faced for those considering embarking on similar projects. We also use the example of this project to argue that manuscript documentation and digitization projects like it must speak to local actors, both engaging and benefitting them. We begin by explaining the origins of the project's pilot in 2017. In addition to generating a methodology for documenting and digitizing textual materials, the pilot allowed the project team to establish connections and build a reputation on the island that was important for acquiring local supporters and participants. We describe the methodology itself as followed in JLP, including some of the challenges faced by the team. To make the results of the project more concrete, we offer some quantitative data on its outcomes and a short qualitative example. We close with the perspectives of different team members on the impact and politics of projects like the JLP: public engagement, the labor behind the production of the images, the users of the images, and the knowledge produced from them.
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