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  • [EN]  The Zanzibar Revolution of 1964 was a major turning point in the history of the island, as it overthrew Arab rule in Zanzibar and established a new political system. However, the visual archive of the revolution has remained neglected in historical studies, despite its importance in revealing precise details about the events. Visual sources such as photographs and documentaries document the crucial moments of the revolution, including the takeover of government headquarters and Britain's refusal to support the Arabs in maintaining their power through forces stationed in Kenya. These sources reveal British policies that relied on the policy of “divide and rule” to stimulate ethnic division between Arabs and Africans, which helped ignite the revolution. The photographs also show the atrocities committed during the revolution, such as the massacres against the Arab population, which appear in the images of mass graves and corpses thrown in the streets and on the beaches. The photographs also show incidents of killing and the burning of Arab homes, reflecting the bloody nature of the events. In addition, visual analysis reveals how visual media were used to shape public opinion, with the revolution portrayed as an African liberation movement while Arab suffering was marginalized. It also shows Britain's role in holding the legislative elections that led to the outbreak of the revolution, and in uniting Zanzibar and Tanganyika to establish Tanzania away from the communist regime. The visual archive provides a new perspective on events, shedding light on Western political manipulation and the profound implications of the revolution  [Ar] تَعُدُّ ثَوْرَةُ زَنْجْبَارِ 1964م نُقْطَةَ تَحَوُّلٍ كُبْرَى فِي تَارِيخِ الْجَزِيرَةِ، حَيْثُ أَطَاحَتْ بِالْحُكْمِ الْعَرَبِيِّ فِي زَنْجْبَارِ وَأَسَّسَتْ نِظَامًا سِيَاسِيًّا جَدِيدًا. وَمَعَ ذَٰلِكَ، ظَلَّ الأَرْشِيفُ البَصَرِيُّ لِلثَّوْرَةِ مُهْمَلًا فِي الدِّرَاسَاتِ التَّارِيخِيَّةِ، رَغْمَ أَهَمِّيَّتِهِ فِي كَشْفِ تَفَاصِيلٍ دَقِيقَةٍ عَنْ الْأَحْدَاثِ. وَتُوَثِّقُ الْمَصَادِرُ الْبَصَرِيَّةُ مِثْلَ الصُّوَرِ الْفُوتُوغْرَافِيَّةِ وَالْأَفْلَامِ الْوَثَائِقِيَّةِ اللَّحَظَاتِ الْحَاسِمَةِ لِلثَّوْرَةِ، بِمَا فِي ذَٰلِكَ السَّيْطَرَةَ عَلَى الْمَقَرَّاتِ الْحُكُومِيَّةِ وَرَفْضَ بَرِيطَانِيَا دَعْمَ الْعَرَبِ فِي الْحِفَاظِ عَلَى سُلْطَتِهِمْ عنْ طَرِيقِ القُوَّاتِ المُتَمَرْكِزَةِ فِي كِينْيَا . وَتَكْشِفُ هَذِهِ الْمَصَادِرُ عَنْ السِّيَاسَاتِ البَرِيطَانِيَّةِ الَّتِي اعْتَمَدَتْ عَلَى سِيَاسَةِ "فَرِّقْ تَسُدْ"، لِتَحْفِيزِ الْإِنْقِسَامِ الْعِرْقِيِّ بَيْنَ الْعَرَبِ وَالْأَفَارِقَةِ، مِمَّا سَاعَدَ فِي إِشْعَالِ الثَّوْرَةِ. كَمَا تَعْرِضُ الصُّوَرُ الْفَظَائِعَ الْمَرْتَكَبَةَ خِلَالَ الثَّوْرَةِ، مِثْلَ الْمَجَازِرِ ضِدَّ السُّكَّانِ الْعَرَبِ، الَّتِي تَظْهَرُ فِي صُورِ الْمَقَابِرِ الْجَمَاعِيَّةِ وَالْجُثَثِ الْمُلَقَّاةِ فِي الشَّوَارِعِ وَعَلَى الشَّوَاطِئِ. وَتُوَضِّحُ الصُّوَرُ أَيْضًا حَوَادِثَ الْقَتْلِ، وَإِحْرَاقِ الْمَنَازِلِ الْعَرَبِيَّةِ، مِمَّا يَعْكِسُ الطَّبِيعَةَ الدَّمَوِيَّةَ لِلْأَحْدَاثِ. وَبِالإِضَافَةِ إِلَى ذَٰلِكَ، يَكْشِفُ التَّحْلِيلُ البَصَرِيُّ كَيْفَ اسْتُخْدِمَتِ الْوَسَائِلُ الْبَصَرِيَّةُ لِتَشْكِيلِ الرَّأْيِ الْعَامِّ، حَيْثُ صُوِّرَتِ الثَّوْرَةُ كَحَرَاكٍ تَحْرِيرِيٍّ أَفْرِيقِيٍّ فِيمَا هُمِّشَتْ مَعَانَاةُ الْعَرَبِ. كَمَا يُظْهِرُ دَوْرُ بَرِيطَانِيَا فِي إِجْرَاءِ الْاِنتِخَابَاتِ التَّشْرِيعِيَّةِ الَّتِي قَادَتْ إِلَى اندِلاَعِ الثَّوْرَةِ، وَفِي تَوْحِيدِ زَنْجْبَارِ وَتَنْجَانِيكَا لِتَأْسِيسِ تَنْزَانِيَا بِعِيدًا عَنْ النِّظَامِ الشِّيُوعِيِّ. وَيُوَفِّرُ الأَرْشِيفُ البَصَرِيُّ رُؤْيَةً جَدِيدَةً لِلْأَحْدَاثِ، تَسْلِطُ الضَّوْءَ عَلَى التَّلَاعُبِ السِّيَاسِيِّ الْغَرْبِيِّ وَالتَّدَاعِيَاتِ الْعَمِيقَةِ لِلثَّوْرَةِ.

Last update: 4/28/26, 8:04 AM (UTC)

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